Abstract Rhythm in Time DigitalART With YourTubeMusic Playlist Jazz Futura Marge,Vol. 1 2 3 4 V
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o experience directly, we must transcend the verbal-symbol imprint, experience energy-flow directly, receive energy messages directly. The future language of experience will be based directly on the concepts and technology of light, sound, cellular movement, sympathetic and parasympathetic nervous system imagery: direct replication of energy flow.
Consciousness is a biochemical neurological decoding that takes place at many levels of the nervous system. Units of the language will be based on units for measuring and describing these energy transformations.
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In 1973, Gérard Terronès with the same artistic tendency and on the same bases of independence but with a more political orientation, was to create the Marge records in the continuity of the Futura records.
At the same time and until the mid-1980s, Gérard Terronès added to the Marge records three sub-labels (Blue Marge, Impro, and Jazz Unity), corresponding to different themes and musical orientations of the moment all resulting from the programs of his clubs and successive concerts in Paris.
By relying on its own record store in Paris and operating in self-production and self-distribution, the Futura label has also released several other independent European labels in France.
For three decades, the Futura disc distribution system will revolve around sales made in clubs directed and managed by Gérard Terronès (Blues Jazz Museum, Gill's Club, Totem, Jazz Unity), concerts (American Cultural Center, Palais des Glaces , Théâtre du Forum des Halles ...), and festivals (Jazz à Massy, Jazz au Futur, Musiques mutantes at TLP Dejazet ...), also produced in Paris by Gérard Terronès, and operated outside Paris during the many tours artists that he organized in France and in Europe until 1993.
In 1996, Gérard Terronès decided to merge the Futura and Marge records as well as all the divisions from Marge into a single Futura and Marge Records brand, while continuing to produce new recordings most often made in new music spaces and Parisian clubs. .
Until the 2010s, the guideline will remain the same, oriented towards contemporary jazz, free jazz and European improvised music, with the addition of a new reception unit, Hôte Marge, intended for musicians of all styles. and from all walks of life.
In recent years, Gérard Terronès has introduced in his new productions some touches of music derived from jazz, such as the electro-acoustic music of the group Luniks Project, the experimental flamenco of the Hors Pistes trio of Laurent Geniez and Paco el Lobo, the politically engaged blues of the Franzktrio, and the classic blues of the quartet conducted by Franck Goldwasser and Vincent Bucher.
From 2011 to 2014, Gérard Terronès resumed his activity of concert organizer using once a month the stage and space of the famous and mythical dance hall La Java in Paris (Edith Piaf, Django Reinhardt, the Swing Musette ...) .
In 2014, Gérard Terronès and the Futura and Marge Disques respectively celebrate their 50 and 45 years of existence in the worlds of jazz, free jazz, and European improvised music. In 2015 the Futura and Marge Discs became "Futura Marge". Gérard Terronès died onMarch 18, 2017.
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